Bibliography

Bradley Deborah, Mark Kopytman’s Imagionary World, Mark Kopytman: Voices of Memories(Essays and Dialogues, ed. by Y. Kreinin), Israel Music Institute, 2004, pp. 59-66 (the volume is mentioned below as YK-MK-VM)

Gradenwitz  PeterThe Music of Israel: from the Biblical Era to Modern Times (second edition, revised & expanded), Portland, Oregon, Amadeus Press, !996; – Music and Musicians in Israel, Israel Music Publications, 1977, pp.404-406, 411, 421

Dubinets Elena, Listening to the Music of Space (Interview and Comments), Muzikal’naya akademia,1998/2, pp.34-39 (in Russian), reprinted in YK-MK-VM, pp.155-172; – A Story About a Medieval Jew, YK-MK-VM, pp. 129-148

Haimovsky Gregory, Ancient and Modern Tunes in Kopytman’s Music, YK-MK-VM, pp.221-226

Hirsberg Jehoash, Kopytman’s Heterophonic Trail: From Memory to Beyond All This, YK-MK-VM, pp. 67-80: – “Mark Kopytman”, The New Grove Dictionary of Music and Musicians, S. Sadie and J.Tyrell, ed., London, Macmillan Press, 2001, pp. 795-796; – “Mark Kopytman”, Die Musik in Geschihte and Gegewart, Zweite Ausgabe, Personteil 10, Barenreiter-Verlag, 2003, pp. 527-528

Just a Few Words,by Ayal Adler, Jonathan Berger, George Crumb, Osvaldo Golijov, Elizabeth Kharitonova, Valentina Kholopova, Grigory Korchmar, Roman Ledenyov, Yinam Leef, Jorge Liderman, Haim Permont, Andrey Petrov, Zecharia Plavin, Sergey Slonimsky, Eitan Steinberg, Tadeusz Strugala, Cornel Taranu, Richard Wernick, Michael Volpe, Mira Zakai, YK-MK-VM, pp. 239-264

Kletinich Yevgeny, From Memory, Sovetskaya Muzica, 1991/10 (October), pp. 37-40 (in Russian); – The 1960’s: Kopytman in Moldova, YK-MK-VM, pp. 81-112; – Casa Mare – the Moldavian Opera of Mark Kopytman, YK-MK-VM, pp. 113-126

Kreinin Yulia (ed), Mark Kopytman: Voices of Memories (Essays and Dialoques), Israel Music Institute, 2004, 288 pp. (abbreviated in other references as YK-MK-VM)

Kreinin Yulia, Mark Kopytman on the way to “Cantus VI” (1965), Israel Music Institute News, 1997/2 – 1998/1, pp. 11-12; – Interview with Mark Kopytman, Muzikalnaya akademiya, 1993/3, pp. 159-162 (in Russian); – Mark Kopytman’s Instrumental Music: Material and Process, YK-MK-VM, pp. 23-40; – Great Integrity of Word and Music, YK-MK-VM, pp. 41-58; – Mark Kopytman: Seeking his Jewish Roots, in “Samuel” Goldenberg and “Schmuyle”: Jewish and Anti-Semitic Elements of Russian Musical Culture, An International Symposium, Studia Slavica Musicologica, SSM 27, Verlag Ernst Kunn – Berlin, 2003, pp. 249-264

Kreinin YuliaEchoes of Imaginary Lines (part I – by Yulia Kreinin, part II – articles by Mark Kopytman), Studia Slavica Musicologica, SSM 33, Verlag Ernst Kunn – Berlin, 2005

Zeharia Plavin, What is behind Avni’s and Kopytman’s Seventees (?), Kopytman’s Alliterations, Israel Music Institute News, 1995/1, pp.11-13

Shiloach Amnon, The Role of Israeli Etnic Traditions in the Creation of an Israeli Musical Style (Dialogue I), Pe’amim, 1984, pp. 56-64 (in Hebrew), reprinted in YK-MK-VM, pp. 173-180; – The Poetic Text in Vocal Compositions (Dialogue II), YK-MK-VM, pp. 181-186

Smoira-Cohn Michal, Composer goes West, Music and Time, A publication of the Jerusalem Academy of Music and Dance, winter 1993, pp.35-46, reprinted in YK-MK-VM, pp.187-192

Steinicker Anton, Mark Kopytman’s Heterophony; its problems and solutions, Ph D dissertation, Bratislava University Press (in preparation)

Tavor Yossi, Blending into a Culture,Panarama of Israel 220, Jerusalem, 1986, pp. 34-39 (in Russian), reprinted in YK-MK-VM, pp. 149-154

Tischler AliceA Descriptive Bibliography of Art Music by Israeli Composers, Studies in Music Bibliography 62, Warren, Michigan: Harmonie Park, 1998, pp. 149-153

Trembovelsky Yevgeny, Utmost Precision in Music Theory, YK-MK-VM, pp. 193-204; – Past in the Present: Homage to my Teacher, Muzikalnaya Akademiya, 1999/4, pp. 74-78 (in Russian), reprinted in YK-MK-VM, pp. 227-238

Yuzefovich Victor, And Once More a Lyric Tragedy, Sovetskaya Muzica, 1969/5, pp.35-40 (in Russian); – A Chain of Human Destinies, YK-MK-VM, pp. 205-220

Uscher Nancy, A 20th century Approach to Heterophony: Mark Kopytman’s Cantus II, Tempo156, 1986, London, pp.19-22, reprinted in Music and Time, A publication of the Jerusalem Academy of Music and Dance, winter 1993, pp. 36-41, and later in YK-MK-VM, pp. 17-21

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